Sarah Marie Wilbur

Sarah Marie Wilbur

Assistant Professor Of The Practice of Dance

Faculty Network Member of the Duke Institute for Brain Sciences

Director of Undergraduate Studies

External address: Rubenstein Arts Center 209F, 2020 Campus Drive, Durham, NC 27705
Internal office address: Box 90686, Durham, NC 27708-0685
Office Hours: 
<p>By appointment.<br />Rubenstein Arts Center<br />2020 Campus Drive #209F<br /><br /><br /><br /></p>


Sarah Wilbur (Assistant Professor of the Practice in Dance) is a cross-sector choreographer and performance researcher who studies arts labor, economies, and institutional support, principally in a US context. She brings a strong field orientation to bear on her academic research, including over twenty years of experience working across the uneven economies of concert dance, theatre, musical theater, opera, K-12 education, health care, and most recently, Veterans’ Affairs.

Sarah's research and teaching together recognize parity between dances that are performed and the aspects of dance making that are suppressed or ignored. It is Sarah's primary goal to highlight under-recognized labor and laborers in the arts in all facets of her professional work.

Sarah’s current manuscript, Funding Bodies: Five Decades of Dance Making at the National Endowment for the Arts asks the choreographic question: How has the movement of philanthropic capital motivated the movement of dance organizers across the last five decades? Ideas from this monograph currently appear in TDR/The Drama Review (2017), and The Oxford Handbook on Dance and Competition (2018). Funding Bodies is under contract with Wesleyan University Press.

In addition to her work on institutional endowment in dance and the arts, Sarah also contributes ethnographic analyses of local arts work and workworlds. Such writing currently appears in the Journal of Emerging Dance Scholarship (2013), Performance Research (2015), TDR/The Drama Review (2016), and the Futures of Dance Studies collection (2020).

Beyond Duke and Durham, Sarah also serves as a guest faculty member in the low residency graduate program, the Institute for Curatorial and Performance Practice (ICPP) at Wesleyan University, where she teaches graduate courses on arts labor and entrepreneurial strategies. In conjunction with this work, Sarah is a co-PI for an exploratory study commissioned by the Doris Duke Charitable Foundation that tracks how artists from divergent sociocultural backgrounds circumnavigate economic drivers and institutionalized "norms" of curation and live performance.

Sarah second book project (in development) catalogues the collective labor at play in local dance work and work-worlds in secondary and "off-center" US communities and towns.

Prior to landing at Duke, Sarah was the Mellon Postdoctoral Fellow in Dance Studies and the Humanities at Brown University (2016-2018). She holds terminal degrees in dance practice (MFA) and culture and performance studies (PH.D.) from the Department of World Arts and Cultures/Dance at the University of California, Los Angeles.

She also sweats more than most humans. 

Education & Training

Ph.D., culture and performance studies - University of California, Los Angeles
M.F.A., dance - University of California, Los Angeles 
B.F.A., dance - University of Wisconsin, Milwaukee 

Wilbur, Sarah. “Who "Makes" a Dance? Studying Infrastructure through a Dance Lens.” In The Futures of Dance Studies, edited by Rebecca Schneider, Janice Ross, and Susan Manning, 360–79. Madison, Wisconsin: University of Wisconsin Press, 2020.

Wilbur, S. “Does the NEA Need Saving?Tdr  the Drama Review  a Journal of Performance Studies 61, no. 4 (December 1, 2017): 96–106. Full Text Open Access Copy

Wilbur, S. “Gestural Economies and Production Pedagogies in Deaf West's Spring Awakening.” Tdr  the Drama Review  a Journal of Performance Studies 60, no. 2 (June 1, 2016): 145–53. Full Text Open Access Copy