–I love moving to music. I always have. For me, it’s like seeing the music.
–The mission of Dance Heginbotham is to move people through dance.
dedicated to reaching new audiences with a powerful message of self-reliance, artistic relevance and individual responsibility
She is a healing justice worker, trauma therapist, community-based yoga teacher, language justice advocate, and social justice warrior
–"Afro-Feminist Performance Routes" initiative convenes a cohort of women dance artists of the African Diaspora who navigate interrelated processes of movement, migration, and memory in their work, through participatory work- shops, conversation and performance.
CANE suggests possibilities of shimmering mediated histories mixed in real-time via a specially-constructed responsive environment
–...their dance set to robotically generated mechanical music explores the intersection of industry and art, artificial intelligence and the human body
His work marries the best elements of classical form with the freedom and expressiveness of modern dance… The overall feeling for the observer is one of exhilaration and awakening.
–"Riley is not just a great teacher - he is one of the most skilled, talented and celebrated contemporary dancers around. If you are a serious dance student at Duke you just wouldn’t want to miss this guy!" Michael Kliën
–Dance Program Alum and Featured DEMAN Weekend 2017 Presenter
–I desire to create something that will be inherently dangerous for both of us as artists
Dance as a very simple but powerful tool for communication, awareness, and peace.
–Lecture: "Dance, Body, and the Possibility of Critique"
–Cultural activist, contemporary dance dramaturge and director of the Institute of Social Choreography in Frankfurt, Germany
Focusing on the role of dance and music for the identity construction of historically oppressed groups
–Capoeira Master Classes
–a dynamic young Bharatanatyam dancer and choreographer
Dance Performance: "Regalia: Plantation Lullabies of Royalty"
–“You get the feeling that they could dance just about any genre with jaw-dropping style. Which makes their unique expression of Cuban culture in all its profound and complex glory all the more special.”—NOW Magazine Toronto
–Gabrielle Lamb is that too-rare creature: the female ballet choreographer. (Village Voice)
looks at the establishment of modern dance as a high art concert dance form alongside the emergence of Asian American respectability politics
This Da Good Part is a three channel film installation and the third element of the umbrella project Five on the Black Hand Side.
Brown combines her athleticism, creativity, love for people, and passion for teaching to create works that redefine the art of dance and the structure of the field
–As a choreographer, performer, and teacher, I strive to engage people in a way that moves them in every sense of the word
